KEYNOTE I / 9:30 – 10:20
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Keynote I MAIN AUDITORIUM
Richard Leppert (Introduction Antonio Baldassarre)
“Operatic Regimes of Musical Listening” (Public Sound/Private Sound)
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Sessions 1 – 2 / 10:30 – 12:00
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Session 1 MAIN AUDITORIUM
Methodology, Philosophy and Media Theory (1)
Chair: Antonio Baldassarre
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Session 2 CHAMBER ROOM
South Eastern Mediterranean (1)
Chair: Federica Riva
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10:30 – 11:00
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Debra Pring (Hochschule Luzern – Musik)
RIdIM Gangnam Style: How the Crazy World of K-pop Became an Audio-Visual Phenomenon (and What This Might Mean For What We Call Music Iconology)
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Sylvain Perrot (French School of Archaeology, Athens)
A Scientific Orientalism: the Travel to Greece and the Representation of Musical Instruments
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11:00 – 11:30
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Gabriela Currie (University of Minnesota)
“The Song of Noble Company is Sung”: The Books of Alexander
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Cristina Bogdan (Universitatea din Bucureşti)
« La musique de l’au-delà » dans l’iconographie balkanique (XVIIIe–XIXe siècles): Prescriptions des manuels byzantins de peinture et innovations des peintres autochtones
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11:30 – 12:00
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Mikkel Vad (The Rhythmic Music Conservatory, Copenhagen)
Transnational Elegies: The Muhammad Drawings, Self-Censorship and Identity. The Case of Jomi Massage’s Skandinaviske Klagesange
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Ş. Şehvar Beşiroğlu (ITU TM State Conservatory)
The Çeng and the Kanun: Musical Instruments as Female Symbolic Figures of Mughal, Timurid and Ottoman Courts as Depicted in Contemporary Paıntings
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12:00 – 14:00 lunch
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Sessions 3 – 5 / 14:00 – 15:30
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Session 3 MAIN AUDITORIUM
Instruments and Organology (1)
Chair: Arnold Myers
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Session 4 CHAMBER ROOM
Methodology, Philosophy and Media Theory (2)
Chair: Antonio Baldassarre
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Session 5 LIBRARY HALL
Southern Mediterranean (2)
Chair: Federica Riva
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14:00 – 14:30
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Dorothea Baumann (Universität Zürich)
Plucked or Bowed? Characteristics of Early String Instruments
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Pablo Sotuyo Blanco and Alejandra Hernández Muñoz (Universidade Federal da Bahia, Salvador)
Visual Appropriation or Biased Negotiations? On Devouring the Others in Brazil-Related Music Iconography
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M. Emin Soydaş (Çankırı Karatekin University)
Representations of Courtly Music in Ottoman Miniature Painting
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14:30 – 15:00
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Sandra Pietrini (Università degli Studi di Trento)
The Parody of Musical Instruments in Medieval Iconography
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Fulya Çelikel (Sabancı Üniversitesi, Istanbul)
Pseudo Versus Genuine Orient: To What Extent Do They Share Their Imagery and Musical Toolkit?
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Anna Papagiannaki-Divani and Katerina Georgoulia (University of York)
Orpheus and His Music in Ioannis Mitrakas’ Oeuvre: Toward a Reconstruction of the Intangible Musical Traditions of Eastern Rumelia, Thrace
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15:00 – 15:30
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Raquel Jiménez Pasalodos (Universidad de Valladolid)
Musicians of Nebuchadnezzar and the Anti-Islamic Rhetoric in the Beatus Illuminations
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Christoph Riedo (Université de Fribourg)
Printed Song Leaflets as a Source for Music Iconography
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Placido Scardina (Universidad de Valladolid)
Oenotrians, Daunians, Sicels: An Iconographic Survey of Music of the Indigenous People from Southern Italy and Sicily During the Early Iron Age
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15:30 – 16:00 coffee break
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Sessions 6 – 8 / 16:00 – 17:30
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Session 6 MAIN AUDITORIUM
Instruments and Organology (2)
Chair: Arnold Myers
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Session 7 CHAMBER ROOM
East-West-Exchange / Orientalism (1)
Chair: Michael Hüttler
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Session 8 LIBRARY HALL
Visual Music and Poetry
Chair: Sean Ferguson
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16:00 – 16:30
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Zdravko Blažeković (City University New York, The Graduate Center)
Illustrations of Musical Instruments in Jean-Benjamin de la Borde’s Essai sur la musique ancienne et moderne
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Francesca Cannella (Università del Salento, Lecce)
Musical Themes in the Rila Monastery’s Tower (Bulgaria, Fourteenth Century)
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Francesco Rocco Rossi (Università populare di musica, Como)
Music and Musical Instruments in Middle Age Italy between Poetry and Visual Art: The Anonymous Poem “L’intelligenza”
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16:30 – 17:00
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Pedro Luengo (Universidad de Sevilla)
Mestizo Music Iconography: The Santa Niño Cradle from Manila
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Luís Correia de Sousa (Centro de Estudos de Sociologia e Estética Musical, Lisboa)
Reflections from the East on Portuguese Musical Culture
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Silvia Maria Pires Cabrera Berg (Universidade de São Paulo)
Springtime Songs: A Dialogue Between Orient and Occident Time Relations in Music
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17:00 – 17:30
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Silvia Marin-Barutcieff (Universitatea din Bucureşti)
Between East and West: Musical Instruments in Religious Iconography from Wallachia (1775–1850)
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Gorka Rubiales Zabarte (Universidad Complutense de Madrid)
De Musica Sinensis: Chinese Music in Jesuit Literature from the Sixteenth to the Eighteenth Centuries
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Maria João Neves (Centro de Estudos de Sociologia e Estética Musical, Lisboa)
Tibetan TARA Practices in the Occident––Visual and Musical Aspects
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